Long Hours of Design

July 30, 2008

Balance Ragged Lines

You don’t need to be an acrobat for this balancing act.

Here’s a useful InDesign feature I often forget about: “Balance Ragged Lines.”

Ragged lines come up in a block of right- or left-aligned text and depend on word lengths, column width and similar variables. Instead of a natural ebb and flow of line endings, ragged lines jut out unevenly like some sort of typographical flotsam and jetsam

Balance Ragged Lines,” buried under the Paragraph panel flyout, does pretty much what it sounds like it does. [ 1 ] It adjusts each line in the paragraph so they’re all of approximately equal length—and so there aren’t lines sticking out every which way.

Example

Here are the ragged lines I want to tackle.

Ragged Lines, Oh My!
Ragged Lines, Oh My!

Ragged Lines, Oh My!

Now, this isn’t actually so bad; my lines flow pretty much as I’d expect them to.

But the bottom two lines—where the URL breaks onto the last line—that’s a problem. I want that URL on one line, not two.

I could shore this up with forced line breaks—but I can’t add just one (putting the URL on the bottom line) as then I’d REALLY have some ragged lines. No, in this case I’d have to add a break to the end of every line.

I’d get this:

A Chicken for Every Pot, and a Forced Break for Every Line
A Chicken for Every Pot, and a Forced Break for Every Line

A Chicken for Every Pot, and a Forced Break for Every Line

Yikes! Too much.

So let’s use Balance Ragged Lines.

Balance Ragged Lines—My Hero!
Balance Ragged Lines—My Hero!

Balance Ragged Lines—My Hero!

And Viola! Well-balanced lines.

The Pièce de résistance
The Pièce de résistance

The Pièce de résistance

Caveats

This is a great feature, but I’d caution against its overuse.

Applying “Balance Ragged Lines” can sometimes destroy the typographic-rhythm paragraph lines have, and make them look somehow “unnatural” or “just not right.”

I’d recommend steering clear of using this everywhere—but in those places where unwieldy lines have gotten away from you, “Balance Ragged Lines” is a real peach.

  1. To me, it sounds like it says: “Hey, you—InDesign! Take them there varminty lines and adjust ‘em all, so they all reckon like they should, ya’ hear?” But that’s just me. 

July 22, 2008

Paragraph Rules—er—Kick Butt

Filed under: Tips and Tricks — Tags: — admin @ 2:28 pm

Or: How many rules could a paragraph rule if a paragraph rule could rule? [ 1 ]

As dull as they may seem, paragraph rules are actually amazingly versatile, and with a little ingenuity and “Thinking Outside the Rules” you can easily harness paragraph rules and make yourself a superstar.

Or at least semi-pro.

In addition to my own posts on the subject, here are some great resources on paragraph rules.

http://www.theindesigner.com/blog/episode-50-tab-topped-text-frames

http://www.theindesigner.com/blog/episode-49-paragraph-rules-rule

http://www.layersmagazine.com/indesign-paragraph-rules.html

http://typophile.com/node/29199

http://www.fontshop.be/details.php?entry=262

  1. Michael Murphy, auetuer of the excellent “The InDesigner” podcast and blog (and man after my own heart) has already unceremoniously usurped the most obvious title for this post—”Paragraph Rules Rule!” I’ve even linked to his post here! However, as Michael posted before I did, I’ll forgo asking for a retraction and raname my post instead. 

July 17, 2008

Stet, Not Stat

Filed under: Rants — admin @ 1:35 pm

Stet is a Latin word (meaning “let it stand”) used by proofreaders to instruct the writer to disregard a change the editor had previously marked.

This convention is usually marked by writing and circling the word stet above or beside the unwanted edit and underscoring the selection with dashes or dots.

Stet is also sometimes used as a verb, e.g., “Stet that colon.” [ 1 ]

Stat is an abbreviate for “Statistic”

Statistic is a fact or piece of data from a study of a large quantity of numerical data. From German statistisch . [ 2 ]

  1. Wikipedia 
  2. Oxford English Dictionary 

July 16, 2008

The Joys of Em Spaces

Filed under: The Fewer the Better, The New Layout-ography, Tips and Tricks — Tags: , — admin @ 1:17 pm

Sometimes, you just need more space.

Like me, (6”4’) after being on an airplane for 6 hours—sometimes you just need to stretch out.

Well, there’s plenty of ways to do that, typography-wise, but here’s a nice little guy who can be easily overlooked.

The em space. (Or Señor em space-o)

What’s an em space? From Adobe: [ 1 ]

Em Space
Equal in width to the size of the type. In 12‑point type, an em space is 12 points wide.

En Space
One‑half the width of an em space.

An em space (or an en space) is great for spots where, otherwise, you might be tempted to use multiple spaces.

Here’s an example:

Multiple Spaces

”]
Multiple Spaces
Multiple Spaces
Using Em Spaces

With Em Spaces
With Em Spaces

With Em Spaces

Using an em space follows “The Fewer the Better” Rule. As well, while multiple spaces can be adversely affected by tracking or kerning, an em space will give you a consistent width no matter where you use it.

So use the em space.

And be happy.[3. Em and En Spaces are located: In Adobe InDesign, Type:Insert White Space: and in Quark XPress, Utilities;Insert Character:Special Characters:

  1. There’s another definition out there which says an em is “The Width of a Capitol Letter M.” And an en “The Width of a Capitol Letter N.” However, this is generally regarded as incorrect—and especially today as whole categories of typefaces lack an “N” or “M” altogether (Asian scripts, for instance.) 
  2. Extra credit if you notice the long string of spaces to the right of this highlight. That's a subject for another post.”